Frost’s technique is to take a familiar, even homey scene – describing a wall, birch trees, two roads – and then undermine or fracture the sense of comfort that those scenes evoke by exposing the capriciousness of modern life. It is a region of isolated farms and lonely roads, and it is in writing about that landscape that Frost merges the traditional with the modern to become a writer who is simultaneously terrifying and comfortable. The wonderful title evokes the rural hinterland of New England, away from the Boston society and economy. In North of Boston, Frost establishes himself as a close and careful observer of man in the natural world. 1915 became the year in which he became recognized as America’s quintessential poet in August, the Atlantic Monthly published what is perhaps Frost’s most well-known work, “The Road Not Taken.” What mattered to Frost was that his English trip had worked. The years in England were crucial to Frost, but they have also caused confusion in straightening out his publishing history – the books appeared in reverse order in America and the poems that appeared in the magazines had in fact already appeared in print, albeit in England. Frost’s career was as well-launched as he could have hoped, and when he returned to the United States in early 1915, he had an American publisher and a dawning fame as his work appeared before the general public in journals like The New Republic and The Atlantic Monthly. While reviews of the first book, A Boy’s Will, were generally favorable, but mixed, when it was published in 1913, North of Boston was immediately recognized as the work of a major poet. Frost had gone to England to add further polish to his writing skills and to make valuable contacts with the leading figures in Anglo-American literature, especially English writer Edward Thomas and expatriate American Ezra Pound Pound would be a crucial early supporter of Frost. Frost was very careful about how he managed the start of his career, wanting to make the strongest debut possible, and he diligently assembled the strongest lineup of poems possible for his books A Boy’s Will and North of Boston. We want to hear what you think about this article.It’s a small irony in the career of Robert Frost that this most New England of poets published his first two books of poetry during the short period when he was living in Old England. It is now widely considered to be one of the most popular works of American literature. “The Road Not Taken” was originally published in The Atlantic in 1915 along with two other poems from Frost. It’s a commentary on the self-deception we practice when constructing the story of our own lives.” In the final stanza, we can’t know whether the speaker is sighing with contentedness or regret as he justifies the choices he’s made and shapes the narrative of his life.įrost wrote the poem to tease his chronically indecisive friend, Edward Thomas, who misinterpreted the meaning and enlisted in the military shortly thereafter, only to be killed two years later in WWI. In fact, the critic David Orr deemed Frost’s work “the most misread poem in America,” writing in The Paris Review: “This is the kind of claim we make when we want to comfort or blame ourselves by assuming that our current position is the product of our own choices… The poem isn’t a salute to can-do individualism. But as Frost liked to warn his listeners, “You have to be careful of that one it’s a tricky poem-very tricky.” In actuality, the two roads diverging in a yellow wood are “really about the same,” according to Frost, and are equally traveled and quite interchangeable. This interpretation has long been propagated through countless song lyrics, newspaper columns, and graduation speeches. Robert Frost’s poem “The Road Not Taken” is often interpreted as an anthem of individualism and nonconformity, seemingly encouraging readers to take the road less traveled.
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